Detect and manage the QuickTime/Rec.709 display shift before delivery
Exports look different between your timeline, QuickTime, browsers, and YouTube — washed out or too dark — causing wasted time and client confusion. This recipe adds a standardized metadata inspection and verification step so you can tell whether it's a real file problem or just a player interpretation difference.
Create a skill called "Gamma Shift QC Pack". Inputs: - export_watch_path - sample_timestamps - generate_control_clip_seconds (optional) Behavior: - When a new export appears, run ffprobe color tag inspection. - Output a QC pack folder with stills and a short control clip (optional). - Send me a checklist explaining how to validate by re-importing into the editor and cross-checking in at least two playback contexts.
This skill inspects your export's color metadata with ffprobe, generates a QC pack with
still frames and an optional control clip, and gives you a checklist for validating
appearance across multiple playback contexts.
A pre-export gate that prevents accidentally delivering proxies
You finish a cut in proxy mode and later discover the export or grading pass used proxy media instead of originals. Quality loss, wrong color decisions, and a wasted delivery. This recipe adds a repeatable pre-export check so you never ship from the wrong media tier.
Stop audio drift by quarantining variable-frame-rate clips at ingest
Audio slowly drifts out of sync or randomly desyncs in your timeline when footage is variable frame rate — common with iPhone footage, screen recordings, and some OBS workflows. This recipe catches VFR clips at ingest, transcodes them to constant frame rate, and quarantines the originals so drift never reaches your edit.
Prevent and diagnose degraded RNA before it ruins downstream assays.
Improve RNA yield and integrity by enforcing RNase-free technique, stabilizing samples, and isolating the exact step where degradation is introduced.
Interpret concentration disagreements without guessing.
Resolve DNA/RNA quant discrepancies by distinguishing "what absorbs at 260 nm" from "what the dye binds," and by using purity metrics as decision inputs.